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The History of 3D Movies

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Ever wonder how the 3 d movie craze got started? Well, placed in your plastic-framed anaglyph 3D glasses and come back for a stroll down Memory Lane!

First, a little science: Anaglyph 3D layarkaca21 are created through the use of 2 layers of color which can be changed slightly when laid on top of each other. Usually the main subject from the image is centered, whilst the foreground and background are offset from each other to create what’s known as a”stereoscopic 3D” image. The adrenal gland on your brain brings the two images together when you start looking at them through a specific viewer holding two lenses with different colored filters, so usually blue and red.

British picture pioneer William Friese-Greene understands the credit for ushering in the age of stereoscopic motion pictures in the late 1980s. Friese-Greene patented a 3d movement process where two pictures were projected side by side on a monitor. The movie watcher looked a stereoscope that attracted both images together (remembering seeing stereoscopes in old-timey pictures?) . However, as this technique has been so mechanically awkward – believe of trying to receive two different films to synchronize onto a screen — it was never commercially viable for use in a theatre.

The first round of commercial 3D films, in other words, films shown to a paying audience, happened when”The Power of Love” debuted at Los Angeles’ Ambassador Hotel Theater on September 27, 1922. This was also the earliest recorded use by viewers of red-green anaglyph glasses to observe the film. Unfortunately the film didn’t get found for wide release and is currently lost.

December 1922 was a big time for 3D film inventors. William Van Doren Kelley, who created the Prizma color system, devised a 3D camera system of his own design and began shooting and showing that a film series he predicted”Plasticon. The very first of these was titled”Movies of the Future,” displayed at New York City’s Rivoli Theater. At exactly the exact same time, Laurens Hammond, that moved on to formulate the electronic Hammond Organ, along with also his partner William F. Cassidy introduced his Teleview 3D system. Teleview use the earliest form of film projection referred to as”alternate-frame sequencing.” This process alternated right-left frames in rapid succession, that your audience watched through synchronized viewers attached to their own seats.

While there have been various efforts at anaglyph 3D motion images during the next 30 years – most especially the debut of Edwin H. Land’s Polaroid picture – that the hey day of the structure came between 1952 and 1955. That is when filmmakers experimented with make movies”better and bigger than ever” by experimenting with widely with anaglyph 3D processes. This period is often referred to as the”golden age of 3D.”

The first full-color stereoscopic feature,”Bwana Devil,” was released in 1952. The now-iconic of all moviegoers watching a 3D picture wearing paper-frame anaglyph glasses has come to represent this era and the American culture of the 1950s.

The latter picture became famous for two reasons: the earliest usage of stereophonic audio and the look of its celebrity, Vincent Price, who became typecast as both a horror-film protagonist along with”King of 3D.” These enticements help draw movie watchers away from their new-fangled TV sets and back into theaters.

Walt Disney Studios – which may later be famous for its 3D films shown at its”Imagination” exhibit at EPCOT Center in Florida – entered the 3D fray with the 1953 release of a film known as”Melody.” Disney introduced 3 d to its Disneyland theme park in 1957 using a short called”3D Jamboree.” The overdue Michael Jackson starred in Disney’s original 3D film for EPCOT,”Captain EO,” for which audiences were given plastic-framed anaglyph 3D glasses that they deposited in bins while they exited.

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